Top 5 Hindi Soundtrack Albums of 2011

Well originally I was going to create a Top 10 list, but surprisingly this year was a pretty dull year in Bollywood music, except for a few clear winners, the others are not even worth a mention – hence a top 5 list. When coming up with the list, my criteria was to look at albums that had genuinely fresh sounding songs and were not following some kind of beaten down ‘hit factory’ path.

5. Ra-One

While the movie didn’t do that well with the audience, the album had few interesting moments. Chamak Chalo roped in Akon and predictably was a big hit on dance floors. VS created a innovative fusion of  Hindustani Classical and Rock in ‘Bhare Naina’. Raftarein had Vishal extrapolate RD’s trademark grunts into a full action packed number. Dildaara had Shafqat crooning a blues tune sufi style, with fitting piano vamps. All in all a very nice one from VS.

4. Zindagi Na Milegi Dobara

Farhan’s trusted SEL thankfully delivered nice tracks for this cool movie. SEL’s trademark chorus hooks gave “Dil Dhadakne Do” a nice upbeat feel. Senorita was a very truthfully done flamenco track with adequate singing support from the actors. The best song for me was Khaabon Ke Parinday featuring awesome vocals of Alyssa Mendonsa, nice beats and that magical one liner by Mohit Chauhan. Shankar Mahadeven took the mic for a sober Der Lagi Hai Lekin.

3. 7 Khoon Maaf

Wow this unique movie directed by a music director cannot possibly leave out on music, can it? Each song of this album was from a different genre! This album featured the return of the original hindi-pop diva Usha Uthup in all her glory to render a beautiful traditional tune Darling. Amazing arrangement. KK did a Freddie Mercury in O Mama followed by a sober acoustic version. Vishal took the mic himself to render the beautiful Bekaraan – nice chord progression and very touching guitar interludes. Vishal’s trusted singer Suresh Wadekar rendered another nice tune with amazingly smooth arrangements – Tere Liye.

2. Delhi Belly

This album hit people like a Tsunami. Ram Sampat rendered the incredibly infectious rock song “DK Bose” – this was an instant hit. Really you couldn’t just play this song and not pause everything you are doing for the next 5 mins and then hit the replay button :) . The big trick in the album was to present time tested predictable chord progressions in a brand new hard-hitting style. Jaa Chudail was another energetic hindi hard rock song with some amazing “sitar chords” ;) . Saigal got a rebirth in the very truthfully done Saigal Blues :) . Sona Mohapatra’s Bedardi Raja and the punjabi track Switty Tera Pyar Chahida were not too far behind in popularity.

1. Rock Star

AR Rahman went all in to deliver an outstanding true musical. The album featured 12 songs in various styles. It was a let down for people expecting rock songs (including yours truly), but there is no doubt that an incredibly talented MD teamed up with an outstanding singer Mohit Chauhan to create magic. Phir se ud chala was a song with each phrase starting from the same theme but taking a different path – a very unique and difficult song Mohit nailed with ease. Nadaan Parinday featured Rahman’s haunting vocals in the antara and Mohit doing different things again in the various Antaras – nice lyrics and style – only ARR could think of something like this. Sadda Haq was a really powerful song with a message and Mohit doing hard vocals for a change. Jo Bhi Main is my favorite from the album  - a soft rock song featuring pleasant guitar chords, nice Hammnonds and great lyrics. Another outstanding album and another winning year for A R Rahman.

Tagged , , , , , , ,

Agneepath Music Review

The name Agneepath right-away biases you to think of a song-light movie for obvious reasons. So let’s see what’s in store for us.

Gun Gun Guna starts off really well by giving you the hook line rightaway. The singing style and arrangement in the beginning feels like a ARR song for a while until the song picks up speed and eventually breaks into a very different street song kind of arrangement and technically the arrangement feels grand and old style (in a good sense, read not-electronic). Love to see Udit Narayan back although he gets a few lines only. Sunidhi Chauhan is great as usual.

Roop Kumar Rathod picks great songs  (or the songs pick him). Saiyyan is a bit situation oriented, and overall the song sounds a little draggy but there are interesting parts. Sometimes it feels like one of the songs Rahat Fateh Ali Khan sings these days, you know the high pitch dard bhara themes, so Roop Kumar is a welcome change. The part I loved in the song is the fabulous interlude done with a Santoor type instrument that ends in a massive chorus. Once again, the arrangement is really deep.

Sonu Nigam is back in Abhi Mujh Mein Kahin. This one starts with nice piano chord arpeggio that sets the pace and feel of the song. Lyrics are nice, but the first part of the song sounds a little bit like a song that Kunal Ganjawala sung for Pritam (can’t remember the song, let me know if you do). Again overall arrangement is symphony style. It is heavy, full and thoughtfully done. Love the use of piano throughout. Sonu’s vocals sound a little strained here for some reason.

The era of afghan music that was big in the 70s and 80s with  songs like Yaari Hai Imaan Mera pretty much ended with Khuda Gawah. So I am happy to see it’s revival in Shah ka Rutba. Rabab’s and claps set the tone of the song which is later on joined by drums, strings, tabla and others. Again when the song gains pace, there are some really nice pieces on a Santoor like instrument I guess by now it is clear that the USP of the album is it’s traditional arrangement which is quite a welcome change from today’s sequenced music. Again the lyrics sound quite situation based, but I am happy to hear some traditional stuff done mostly traditional style with some new experiments thrown in.

Deva Shree Ganesha is as the name suggests a Ganesh song, really heavy on the famous Maharashtrian beats you hear in Ganapati songs, but there are some interesting things going on here too. There is a interesting keyboard groove going on in the background and the part in the middle where the groove follows claps and then drums join is fantastic. Interestingly the song is quite heavy on strings too.

You can’t help but break into a tapori dance the moment you hear “Chikni Chameli”. What’d I say, this song is going to rule the charts for a while and more. Shreya Ghoshal goes well out of her comfort zone to render this song excellently.

Overall I am totally surprised by this offering by an unknown name to me: Ajay-Atul. Looks like they are making a niche for themselves in Action movies. The offering is quite different from other albums of today and it is clear that the brothers have put together a lot of hard work into this and are surely a duo to follow. Obviously they prove to be master arrangers, but I’d love to see them develop their melodies more.

Update: This blog has a good details on Ajay-Atul’s thought process while making the music - http://www.maujmaja.com/2011/12/16/ajay-atul-agneepaths-music-secrets-interview/

 

Tagged , , , , ,
Follow

Get every new post delivered to your Inbox.